Updated: February 18th, 2024
When you are performing on stage, you don’t hear what the audience hears. Singers often can’t hear their voice being amplified over the drums, and drummers often can’t hear the rest of the band over their own beats! This is a major problem for drummers who are responsible for keeping the beat.
In-ear monitors allow you to modify what you hear while on stage. You can feed yourself exactly what the audience hears, or you can put a focus on specific elements of the band.
In-ear monitors can take some getting used to, but this is essential if you want to drum as a professional performer. With that in mind, in this article, we will recommend the best in-ear monitors for both amateur and semi-professional drummers.
- High-definition dual microdivers
- Detachable elements for replacement and personalization
- Lightweight
- Effective sound isolation
- Two-year warranty
A Quick Look At Our Top Picks
| IMAGE | PRODUCT | |
|---|---|---|
| | Best of the Best
| |
 | Best Professional Monitors
| VIEW LATEST PRICE → |
 | Best Budget IEMs
| VIEW LATEST PRICE → |
 | Best IEM for Drummers
| VIEW LATEST PRICE → |
 | Best In Ear Monitors Under $100
| VIEW LATEST PRICE → |
5 Best In-Ear Monitors For Drummers
1. Shure SE425 Sound Isolating Earphones
- High-definition dual microdivers
- Detachable elements for replacement and personalization
- Lightweight
- Effective sound isolation
- Two-year warranty
- No mic included
This set of IEMs is only one of many excellent options made by Shure, but these are our top picks for the perfect balance between quality and value for money.
The in-ear monitors themselves use high-definition dual microdrivers that provide an accurate and balanced sound perfect for performing live or working in the studio. They have an impedance of 22 ohms, a wide frequency range from 20Hz to 19kHz, and a sensitivity of 109dB SPL at 1 mW.
The earpieces include sound-isolating sleeves that effectively block out noise with a 37bD passive sound-isolating frequency. The wires of the earpieces are detachable and formable, which makes it easy to replace different pieces if you want to personalize your set. The earpieces are also lightweight, weighing just 1.04 oz.
The headphones are wired, and there is no wireless listening option. The cable is a generous 64 inches, and it can be detached and replaced with another cable if you wish. Everything comes in a convenient soft case.
2. Audio-Technica ATH-E70 Dual Symphonic-Driver In-Ear Monitor Headphones
- Has a sleek, flexible memory cable
- Blocks out external and damaging sounds
- Has a storage/carrying case
- No mic included
Perfectly suited for both the studio and stage, these headphones fit right into the ear canal and have a customizable fit for maximum comfort. Weighing about 6.6 ounces, they feature soft silicone and Comply foam ear tips that are sensitive, seal perfectly, and enhance comfort for the user. Made by Audio Technica, the model features a detachable memory cable that is 1.5 meters long to give you space to move. It comes with a carrying case that stores the ear tips together with a 6.3mm stereo adapter plug.
Audio Technica has always been a well-recognized brand, and this model is just exceptional. The ATH-E70 in-ear monitor headphone provides an accurate sound stage and extended frequency response due to its three balanced armature drivers. It is expensive compared to most IEMs, but its excellent sound quality justifies the cost and will make you glad you got it.
Audio Technica ATH-E70 has a full sound that is rich in bass as well as in treble. The tone is neutral and nuanced with a profound response. There is no distortion detected nor any highs and lows in the frequency response. It projects impressive noise-isolating effects with a frequency range of 20-19000 Hz, a sensitivity of 109dB, and a nominal impedance of 39 ohms. You get to focus on your music without distractions.
3. Clear Concept Audio CCA C10 In-Ear Monitor
- Very affordable starter set
- One-year limited warranty
- Isolates noise to an extent
- Clear nuances
- Six color options
- No mic
- No carrying case
- The cable is prone to tangling
As far as comfort goes, Clear Concept Audio’s C10 earphones are great. It is a hi-fi audio outfit available in 6 different finishes. The earphones, housed in a resin and zinc alloy shell with excellent build quality, feature ten hybrid driver designs with five on each earpiece. It is lightweight and effective at canceling noise.
The IEMs feature detachable cables that allow you to go wireless if you purchase a 0.75mm 2-pin Bluetooth adapter. They also come with an extended memory wire cable. It is sized at 4.2” x 2.9” x 1.3” and weighs 3.2 ounces.
Despite the affordable price tag, these IEMs have many of the features of more expensive monitors. These include five drivers on each side, four balanced armature drivers, and one dynamic driver. Additional features include the detachable cables, allowing you to replace, repair, or upgrade.
CCA C10 is designed to cancel noises at 108dB through the in-built MEMS noise-canceling technology. When the silicone tips are included, the seal is good enough to almost completely isolate you from your surroundings. It has an impedance of 32 ohms with a frequency response rate ranging from 7-40000 Hz. The sound is terrific as it produces excellent and balanced mid and high tones without distortions.
4. Audio Technica ATH-IM02 In-Ear Monitor Headphones
- Great noise isolation
- Detachable cable
- Crystal clear sound
- Expensive
The Audio Technica ATH-IM02 is among my favorite IEMs that I use myself. This pair of in-ear monitors are compact and lightweight (4” x 2” x 6.5” and 3.4 ounces), so they are easy to store and travel with. These Audio Technica in-ears come with silicone ear tips to give you a custom fit. You also have the option to use the foam tips that come with the package. Finally, the ear tips feature a seal for ultimate noise isolation, and the earbuds are detachable from the cable to allow you to move freely behind your drum set.
Although it is the second Audio Technica product on this list, the ATH-IM02 has earned its spot here. It may be expensive, but it is one of the most popular choices among drummers. Just check out the many positive reviews online!
The Audio Technica ATH-IM02 also comes with exclusive dual-balanced armature drivers that produce clear, crisp, and pure sound. This basically means that the frequencies are generated by two separate drivers that essentially specialize in their particular ranges of frequencies. As such, these in-ear monitors excel in the general sound department, with particular strength at higher sound ranges.
5. Knowledge of Zenith KZ ZS10 Pro IEM Headphone
- One-year warranty
- The overall sound is balanced
- Can be used as a wired or wireless
- Sturdy and inexpensive
- Has no carrying case, no adapters, and no foam tips
- Putting on the ear tips may take time to learn
Included in the package for this product are three pairs of ear tips, one detachable cable, the IEM earphone, a manual, and a warranty card. The headphones are lightweight and great-looking, and the shells are made of resin and stainless steel. You can choose from three color options. They are very comfortable and fit in your ear perfectly once you get the hang of them. The cable is 120cm in length, braided, and flexible, but can tangle easily.
The KZ ZS10 Pro by KINBOOFI Audio features four balanced armatures, one dynamic driver, and a 10mm double magnetic dynamic driver. It has a sensitivity of 111dB, an impedance of 30 ohms, and a frequency range of 7-40000 Hz. The dynamic driver for the mid-frequency is fast and tight.
In terms of sound range, these IEMs offer a rich, improved bass compared to the older model, with clear elevated trebles. The vocals are natural and well-controlled with zero distortion. Noise isolation is good with a very low sound leak. The ZS10 Pro is like a regular earphone with a better sound and fit. It is suitable for monitoring and instrument separation since you can differentiate each instrument in a mix.
Things To Consider When Buying In-Ear Monitors
While these are our top recommended in-ear monitors for drummers, there are hundreds of options on the market that you might be considering. For this reason, we have gathered a list of the most important elements to judge when choosing your best set of in-ear monitors.
Drivers
The number and quality of the drivers in IEMs dictate sound quality, and price! While you can get professional IEMs with up to eight drivers, what you are looking for is a minimum of two, which means one dedicated to low frequencies and one to high frequencies. Look for a hybrid of multiple drivers and balanced armature drivers.
You can double-check the quality of the drivers by checking the impedance (look for around 22 ohms) and sensitivity (109dB is a good measure).
Sound Isolation
IEMs should have sound isolation capacity, or you still won’t be able to hear your desired mix over the sound of what is closest to you on stage. Look for something with around 37dB sound isolation.
Cables
Ideally, IEMs should have removable cables, even if they don’t work wirelessly natively. This allows you to change the cables if they become damaged or if you just want to change to different cables. This also lets you attach third-party Bluetooth connectors if you want to use them wirelessly.
Universal vs. Custom
Most professionals will have custom IEMs that are molded specifically for their ears. Amateurs will usually go for something universal that is designed to be comfortable for most ear types. You will probably only upgrade to something more customized when you have a favorite pair of IEMs and know exactly what you want.
If you are going with universal, consider the body material, which may be something like carbon fiber, resin, or metal. There is usually a balancing act between comfort (resin) and durability (metal). Carbon fiber is the best of both worlds but tends to be more expensive.
Over-Ear vs. Hanging
The earpieces will either be designed to clip over your ears or to hang down more like standard headphones. This all comes down to personal preference. Over-ear tends to be more stable, but it’s not necessarily comfortable for long sessions.
Ear Tips
Of course, these are the bits that sit in your ear. They will usually be made of silicone or foam, and which is best for you also comes down to personal preference.
Silicone works through suction, which means it stays in place better when you are moving around but is less effective when it comes to noise canceling. Foam is denser and cancels more noise, but it tends to not be as stable in the ear canal and can be affected by sweat.
Often kits will come with a variety of different tips so you can experiment until you find something that works for you.
Interested in recording? Find our recording guides here.
FAQs
What is the difference between IEMs and normal headphones?
IEMs in some ways are just more sophisticated headphones. They are designed to be inserted into the ear canal rather than sit over the ear, which allows them to be noise-canceling, and sit more firmly when you are moving around. The technology inside the IEMs are also more sophisticated, as they are specifically designed to isolate sounds and deliver clear musical audio. For this reason, IEMs tend to be significantly more expensive than normal headphones.
Which are the best IEMs for concerts?
The best IEMs for playing live gigs depend on individual preference. But the features you are likely to prioritize include noise canceling capacity, as there will be a lot of loud and direct ambient sound on stage, and the number of drivers, as you will want sound to be properly separated when delivered via the amp.
Do you need to clean in-ear monitors?
Since in-ear monitors go deep into the ear, they can quickly become dirty with earwax and sweat. They can also transfer bacteria into your ears when you insert them. For this reason, you should clean your in-ear monitors before you insert them and after each use.
The Verdict
In-ear monitors are an essential piece of kit for professional musicians. What you hear on stage as part of the band is very different to what the audience hears. But the best in-ear monitors help block stage noise and let you receive the sound output from the mixer so you can hear exactly what the audience hears and make it sound good!
High-quality in-ear monitors need to be powerfully sound canceling, deliver crystal clear sound quality, and be comfortable to wear for hours at a time. Check out our top recommendations to find the right option for you.
Next, read our guide to how to set up your in-ear monitors.
Could you recommend the SoundMAGIC PL30+ In Ear Monitor, they are currently very cheap in my country and not sure if these would be good for drumming.
Thanks to everyone who contributed to this site! My research landed me with a lot of the same conclusions. Just wish I found this a month ago and saved a ton of time.
Thanks so much Thomas! I really appreciate it!
My band uses a QU-16 digital mixer from Allen & Heath. As the drummer I am done with stage monitors and want to go with IEMs. How do I know if any of these are compatible with the QU-16? How would it work? I run an XLR cable from a aux out to the IEMs but it looks like these IEMs only have tiny little jacks… that plug into what exactly??
Hey Matthew,
I can relate to that – I’d never swap my IEMs for stage monitors again!
You’d have to use a XLR to 3.5mm jack cable.
Technically, that works fine as is, but some people want to use a headphone amp (for example this one) for sound improvements. I recommend you try the cable first and upgrade to the amp if needs be.
Hope that helps!
You list the Westone UM Pro 10 as dual driver but in the name it says single driver. Can you explain this? Looking to buy a pair but would like dual driver.
Hey Jeff,
My mistake! Very sorry for the confusion!
The Westone 20 are dual drivers, but the Westone 10 in the review are single drivers just as you say. I’ve corrected this now.
Yet, there are 2 more dual drivers in the article – so check them out and perhaps they will work for your purposes.
Thanks for making me aware of that!
Best,
Yannick.
Hey Yannick,
I have never owned a drum set in my entire life. I have the slightest bit of experience playing on acoustic sets. I really appreciate your reviews on this set. I would like to ask your opinion: Would this be a good first drum set?
Thanks.
Hey Dylan,
Thanks so much for your kind words!
I fear, though, that you’ve left this comment on the wrong page. Which drum kit are you referring to?
Let me know and I’ll gladly answer you!
Best,
Yannick.
Oh sorry Yannick! Haha. I am finding your reviews helpful so, I had both your review for the Alesis Nitro Kit and this website.
I see 🙂 Then let’s answer it here (it’s a short answer too).
Yes, I do think that the Nitro is a very good first drum set. In fact, it’s the one I recommend most of the time and that my students seem to be most satisfied with. (The reasons for that are all in my review).
Hope that helps!
Hi Yannick, thanks for your review for the best IEM, i have been using the MEElectronics M6 Pro IEM for the last 2 years, and IMHO, they are by far THE BEST IEM for your money, they’re affordable, comes with protective case, an extra cable with mic, few extra silicone tips, even a pair of Comply tips.. I mean for $50 they are literally a steal, i dont even understand how the folks at MEElectronics make profit from this product, lol..
Soundwise, they’re pretty similar with the Shure se215’s with the exception of the 215s have deeper bass, but they cost $50 more than the M6 Pro.. I once tried the shure 315s, and i still prefer the M6 Pro over the 315s..
The only downside from this product is the build quality, its true, they wear out pretty fast,after a year or so the housing starting to crack on its edge, but what else do you expect from a $50 IEM?
My conclusion is, M6 Pro is the best IEM for anyone (for people who wants to buy their first IEM, or an established musician who doesnt have deep pocket for a custom IEM)
Thats it from me, i hope i dont confuse you guys with my broken english 😀
That’s awesome, Ryan. Thanks for sharing this in such detail.
I’ve included a link to this inside the article above for I think every visitor should read this.
Thank you so much!
Hey Yannick,
i’m a drummer at my church and we’re loking for the best IEMs for me. I’ve never used IEMs before so i would really like help choosing the best one. I do frequently play so one that is durable. Sound quality is an obvious necessity. And my budget is small. I would really appreciate it if you can help me.
Hey Daniel,
I personally prefer the Sure SE215 since they give you great quality and are currently discounted. However, I recommend you re-read the article and decide based on the criteria explained in there – as I’m not fully aware of your situation and needs.
Or is there a specific question that wasn’t answered in the article?
Best,
Yannick
good day, I have a question. when I drumming I need to hear a metronome. I use the se315 and are perfect for me, but a bit expensive. do you know recommend me something similar but cheaper? thank you. (justify my English, I used Google translator) ????
Hey Manfred,
On a budget I love these in-ear monitors. You’ll find all about them in the review above too.
Best,
Yannick
Hi Yannick,
I have a 3 year old who’s about 40″ tall who wants to start playing. Debating between the Alesis Nitro and the best junior acoustic drum set you’ve recommended. Is one of them more appropriate from a size perspective?
Hey Ronald,
Well, my threshold for changing from a junior to an adult kit is 5ft. Below that your child would have to strech and strain. That said, in your case it’s probably a matter of how quickly he / she is growing – since I wouldn’t get a junior kit to throw it away after 6 months. By contrast, if you think the junior kit will last for a year or more, I would want to spare your child the stretching and straining.
As for which kit in particular, please refer to my best electronic or best kids drum set guide.
Best,
Yannick
I recently purchased some Shure SE425 IEM’s as they came well recommended on a number of (drum) websites including yours. I’m afraid that I found them to have terrible bass response and they were no good for me. Very comfortable and great mids but treble was harsh and the bass response was AWFUL for drums. This was after fixing the ear sealing with eartips that suited me so the lack of bass was not due to poor fit. I was so disappointed that I contacted local Shure agent (in Australia) and sent them back to be checked. They came back as working perfectly and after a number of phone discussions with the local Shure agent and the retailer that I purchased them from, the conclusion was that they were working as expected but in the words of the Shure agent the SE425’s have “a response below 200Hz that is not great”. I was so disappointed, and I have no recourse so stuck with a useless (to me) pair of Shure SE425 IEM’s.
I ended up finding a MUCH better (and cheaper) pair of IEM’s that are actually awesome and I am so happy with these. They are 7Hz Timeless IEM’s from Linsoul. Bass response in particular is exactly what I was after. They sound fantastic when playing my e-kit triggering Superior Drummer 3. Cheers, Andrew
Andrew, first and foremost, I’m sorry to hear about your disappointing experience with the Shure SE425 IEMs. It’s always frustrating when a highly recommended product doesn’t meet our expectations, especially when it’s related to something as critical as monitoring for drumming. Your experience underscores the subjective nature of audio equipment, where the perfect fit for one musician might not work at all for another, particularly when it comes to the nuances of sound like bass response and treble clarity.
The Shure SE425s are indeed well-regarded for their clarity and detail, especially in the mids, which makes them a favorite for vocalists and musicians who prioritize those frequencies. However, as you’ve discovered, they’re not known for their bass response, which is crucial for drummers who need to feel the kick and the depth of their drums for a fully immersive playing experience. The fact that the Shure agent mentioned their response below 200Hz is not great aligns with your findings and highlights the importance of matching the IEM’s sound profile with the user’s needs.
It’s fantastic to hear that you’ve found a great alternative with the 7Hz Timeless IEMs from Linsoul. The 7Hz Timeless are praised for their planar magnetic drivers, which tend to offer a more natural and detailed sound across the frequency spectrum, including a more satisfying bass response that’s essential for drumming. Their price-to-performance ratio has made them a popular choice among audiophiles and musicians alike.
For others reading this and considering in-ear monitors (IEMs) for drumming, Andrew’s experience is a valuable lesson in the importance of understanding the sound signature of IEMs and how they match with your instrument and personal preferences. Here are a few tips for selecting IEMs for drumming:
Look for a Strong Bass Response: Drummers need IEMs that can accurately reproduce low frequencies to clearly hear the kick and toms.
Comfort and Isolation: Ensure the IEMs fit well and provide good isolation to protect your hearing and allow for accurate monitoring of your drumming and the mix.
Durability: Drummers can be hard on gear. Look for IEMs that are built to last and can withstand the rigors of rehearsals and performances.
Try Before You Buy: If possible, test out IEMs with your drum kit or a similar setup to ensure they meet your needs. Reviews and recommendations are helpful, but personal experience is paramount.
Consider Custom Options: While more expensive, custom-molded IEMs offer the best fit, isolation, and tailored sound signature for your needs.